{"id":5378,"date":"2020-01-07T13:51:57","date_gmt":"2020-01-07T13:51:57","guid":{"rendered":"https:\/\/ww2.ballettodiroma.com\/uncategorized\/azzurra-schena\/"},"modified":"2020-04-29T09:03:52","modified_gmt":"2020-04-29T09:03:52","slug":"azzurra-schena","status":"publish","type":"post","link":"https:\/\/ww2.ballettodiroma.com\/en\/production\/corps-de-ballet\/azzurra-schena\/","title":{"rendered":"Azzurra Schena"},"content":{"rendered":"<div class=\"wrapper-small\"><div  class=\"column-section clearfix spaced-normal  col-align-top no-anim\"><div  class=\"column one-full last-col  col1 no-anim\" >\n<p>Azzurra Schena was born in Fasano in 1983 and began her ballet training with Silvia Hunaila. She worked with Balletto di Puglia, Balletto di Milano, Compagnia Nazionale di Danza and Compagnia dell\u2019Arena di Verona. Main roles for Balletto di Roma\u2019s productions: \u201cClara\u201d in \u201cThe Nutcracker\u201d, Juliet in \u201cRomeo and Juliet\u201d, main character in \u201cCinderella\u201d, Emilia in \u201cOthello\u201d. She has been a part of Balletto di Roma\u2019s corps de ballet since 2004.<\/p>\n<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":5379,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[98],"tags":[],"class_list":["post-5378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-corps-de-ballet","post-item","isotope-item","slist-item"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ww2.ballettodiroma.com\/en\/wp-json\/wp\/v2\/posts\/5378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ww2.ballettodiroma.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ww2.ballettodiroma.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ww2.ballettodiroma.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ww2.ballettodiroma.com\/en\/wp-json\/wp\/v2\/comments?post=5378"}],"version-history":[{"count":0,"href":"https:\/\/ww2.ballettodiroma.com\/en\/wp-json\/wp\/v2\/posts\/5378\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ww2.ballettodiroma.com\/en\/wp-json\/wp\/v2\/media\/5379"}],"wp:attachment":[{"href":"https:\/\/ww2.ballettodiroma.com\/en\/wp-json\/wp\/v2\/media?parent=5378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ww2.ballettodiroma.com\/en\/wp-json\/wp\/v2\/categories?post=5378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ww2.ballettodiroma.com\/en\/wp-json\/wp\/v2\/tags?post=5378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}